Artist & Historian

Traité des Arts céramiques
Creating a Science of Ceramics
In 1844, Brongniart published a definitive text on the ancient and modern practices of ceramics, including technology, mineralogy, and chemistry, Traité des Arts céramiques.
This was the first time that the science of ceramics was consolidated and made openly available to a general reading audience. He also described the history of pottery and porcelain production around the world, and discussed the archaeological finds of pottery, especially when they formed part of burial rituals. As a text on the arts, it was unprecedented.
Geological Time and the Arts
Importantly, as a consequence of his status as a leading geological theorist, Brongniart discussed the global production of ceramics in terms of geological time. This was a marked departure from other antiquarian and art historical discussions of the period, which were still focussed on Classical origins and a biblical time scale.
Creating a Museum and a Global History of Ceramics
He followed the 1844 Traité des Arts céramiques with the 1845 catalogue of the Sèvres Museum, Description méthodique du Musée de Sèvres. In combination, the five volumes of these two related publications established a modern framework for the study of ceramics in all aspects, from science and technology, to history and archaeology.





"If one single book had to be selected to represent ceramic literature in a miscellaneous library, if a student of pottery manufacture had to part with all of his technical works save one, we have no hesitation in saying that the choice should fall upon Brongniart’s Traité des arts céramiques. Before Brongniart gave to the learned world a treatise which was to raise the potter’s art to the level of a science, nothing but desultory attempts had been made to gain that end"
-Louis Marc Emmanuel Solon, 1910